Abstract Painting 2023
Statement 2023 Taking a lead from the US Abstract Expressionists of the 40s and 50s, my painting facilitates a detachment from intentions and expectations. I strive to create art that allows the paint to reveal an unpredictable order, random patterns,
Abstract Painting 2023
Statement 2023 Taking a lead from the US Abstract Expressionists of the 40s and 50s, my painting facilitates a detachment from intentions and expectations. I strive to create art that allows the paint to reveal an unpredictable order, random patterns,
Re-Inventing Vienna 2014
This project explores the make-up, politics and essence of the Viennese in this expanding, tolerant and modern European city. The city plays an innovative and leading role in supporting and exploring ways of living together in this rapidly changing society
Re-Inventing Vienna 2014
This project explores the make-up, politics and essence of the Viennese in this expanding, tolerant and modern European city. The city plays an innovative and leading role in supporting and exploring ways of living together in this rapidly changing society
Cement Sculpture 2004
Brief Description The project started with the concept of ‘time and movement in space’ dealing with circles and squares. From here I decided to use cement to express my ideas. This led me to acquire technical information on cement, initially
Cement Sculpture 2004
Brief Description The project started with the concept of ‘time and movement in space’ dealing with circles and squares. From here I decided to use cement to express my ideas. This led me to acquire technical information on cement, initially
Cosmic Similarities 2024
STATEMEN I allow the paint to reveal an unpredictable order, random patterns, and multiple processes that eventually emerge as unique imprints on the canvas. I purposely use unique utensils to apply the acrylic paint to the canvas that have a
Cosmic Similarities 2024
STATEMEN I allow the paint to reveal an unpredictable order, random patterns, and multiple processes that eventually emerge as unique imprints on the canvas. I purposely use unique utensils to apply the acrylic paint to the canvas that have a
Cosmic Energy 2022
Here the focuses is on anthropogenic impacts and possible cosmic influences which, due to their random effects, could have had resulted in a different outcome on Earth.My interest stemmed from the developments many nations looking outwards because of satellites and
Cosmic Energy 2022
Here the focuses is on anthropogenic impacts and possible cosmic influences which, due to their random effects, could have had resulted in a different outcome on Earth.My interest stemmed from the developments many nations looking outwards because of satellites and
Pandemic Painting 2020
‘Reumannplatz‘, Acrylic on canvas, 1m x 80cm, 2020. My research based practice explores global issues including migration caused by the ‘sharply’ evolving anthropogenic interference, on planet Earth. So the concept of home and the feeling of homeliness, specifically in relation
Pandemic Painting 2020
‘Reumannplatz‘, Acrylic on canvas, 1m x 80cm, 2020. My research based practice explores global issues including migration caused by the ‘sharply’ evolving anthropogenic interference, on planet Earth. So the concept of home and the feeling of homeliness, specifically in relation
Designing The Urban Commons 2015
ENTRY #440 HOME DETAILS JURY SUBMIT GALLERY EVENTS CONTACT SOCIAL MATERIAL BANK by JAMES P. KINSELLA If we re-look at public space or the commons from the view point of having multiple entry points and as being nomadic in nature then we
Designing The Urban Commons 2015
ENTRY #440 HOME DETAILS JURY SUBMIT GALLERY EVENTS CONTACT SOCIAL MATERIAL BANK by JAMES P. KINSELLA If we re-look at public space or the commons from the view point of having multiple entry points and as being nomadic in nature then we
Art Olympia 2017, International Open Art Competition
‘Heavens Gate’ is an award wining work that was exhibited at Toshima Centre Square, City Government offices, Tokyo in 2017. ‘Heaven’s Gate’, is a study of an entry point to the inner city of Vienna, Austria. It references a fleeting
Art Olympia 2017, International Open Art Competition
‘Heavens Gate’ is an award wining work that was exhibited at Toshima Centre Square, City Government offices, Tokyo in 2017. ‘Heaven’s Gate’, is a study of an entry point to the inner city of Vienna, Austria. It references a fleeting
Art Olympia 2015, International Open Art Competition
James P Kinsella, ‘Hofbauergasse’, 2013, 26.5cmx19.5cm, acrylic on canvas. Artist Statement: My painting/screen print ‘Homing Instincts’ investigates the complex concept of home – the geographical and psychological space we occupy and consider as our space, where we belong and
Art Olympia 2015, International Open Art Competition
James P Kinsella, ‘Hofbauergasse’, 2013, 26.5cmx19.5cm, acrylic on canvas. Artist Statement: My painting/screen print ‘Homing Instincts’ investigates the complex concept of home – the geographical and psychological space we occupy and consider as our space, where we belong and
photo::vienna | werkschau 2015
photo::vienna | werkschau 2015 a 14. – 18. Oktober 2015 – täglich von 10:00 – 18:00 Uhr im MAK – Österreichisches Museum für angewandte Kunst / Gegenwartskunst Stubenring 5, 1010 Wien Statement “Herbstliche Überreste: Schwedens Saat“ “Wenn wir einst nicht mehr sind,
photo::vienna | werkschau 2015
photo::vienna | werkschau 2015 a 14. – 18. Oktober 2015 – täglich von 10:00 – 18:00 Uhr im MAK – Österreichisches Museum für angewandte Kunst / Gegenwartskunst Stubenring 5, 1010 Wien Statement “Herbstliche Überreste: Schwedens Saat“ “Wenn wir einst nicht mehr sind,
Vanishing Vienna – photo::vienna at the MAK 26-30.11.2014
MAK – Austrian Museum of Applied Arts / Contemporary Art Stubenring 5, 1010 Vienna, Austria T +43 1 711 36-0 F +43 1 713 10 26 CONTACT / INFO Matthias Herrmann | Fotograf Michel Mallard | Art Director Petra Percher
Vanishing Vienna – photo::vienna at the MAK 26-30.11.2014
MAK – Austrian Museum of Applied Arts / Contemporary Art Stubenring 5, 1010 Vienna, Austria T +43 1 711 36-0 F +43 1 713 10 26 CONTACT / INFO Matthias Herrmann | Fotograf Michel Mallard | Art Director Petra Percher
Concept Idea and or Dream of House/Home Project 2010
The Concept, Idea and or Dream of House/Home is a participatory project where we invite the public through art and community events to document and share their thoughts and ideas on HOUSE/HOME. We present some of the many hundreds of responses
Concept Idea and or Dream of House/Home Project 2010
The Concept, Idea and or Dream of House/Home is a participatory project where we invite the public through art and community events to document and share their thoughts and ideas on HOUSE/HOME. We present some of the many hundreds of responses
photo::vienna 2015
13-10-2015 to 18-10-2015 If you are in Vienna please call to the MAK and visit photo::vienna I have some work on show there. James photo::vienna | werkschau 2015 photo::vienna | werkschau 2015 – 18. Oktober 2015 MAK – Österreichisches Museum für angewandte Kunst
photo::vienna 2015
13-10-2015 to 18-10-2015 If you are in Vienna please call to the MAK and visit photo::vienna I have some work on show there. James photo::vienna | werkschau 2015 photo::vienna | werkschau 2015 – 18. Oktober 2015 MAK – Österreichisches Museum für angewandte Kunst
Homing Instincts 2013
‘Homing Instincts’ This series of paintings ‘Homing Instincts’ investigate the complex concept of home – the geographical and psychological space we occupy and consider as our space, where we belong and feel part of as in your home – country!
Homing Instincts 2013
‘Homing Instincts’ This series of paintings ‘Homing Instincts’ investigate the complex concept of home – the geographical and psychological space we occupy and consider as our space, where we belong and feel part of as in your home – country!
‘Take Me Up To Monto’. 2009
‘Take Me Up To Monto’. 2009 (Exhibited – Public Gesture, The Lab, Dublin. 2009) ‘Atmospheric Cube’, 2009. Acrylic on canvas, bolts, hinges. 2m x 2m x 2m. This work is primarily concerned with constructed environments where the viewer
‘Take Me Up To Monto’. 2009
‘Take Me Up To Monto’. 2009 (Exhibited – Public Gesture, The Lab, Dublin. 2009) ‘Atmospheric Cube’, 2009. Acrylic on canvas, bolts, hinges. 2m x 2m x 2m. This work is primarily concerned with constructed environments where the viewer
‘Elements of Exploitation’ 2010
Elements of Exploitation Shortlisted for the National Art Competition (UK) 2010. This research began with my investigation as a visual artist, not a historian, into ‘Monto’ a notorious Red light district (in its prime in the 19th century) located in
‘Elements of Exploitation’ 2010
Elements of Exploitation Shortlisted for the National Art Competition (UK) 2010. This research began with my investigation as a visual artist, not a historian, into ‘Monto’ a notorious Red light district (in its prime in the 19th century) located in
Participatory Painting – Kinder- Rotkreuztage im Stilwerf. 2012
I presented a participatory painting project to an invited group of Children for the Wiener Rotes Kreuz through the Metropolitan Art Club on the 4/5/2012 at the Stilwerk, Vienna.
Participatory Painting – Kinder- Rotkreuztage im Stilwerf. 2012
I presented a participatory painting project to an invited group of Children for the Wiener Rotes Kreuz through the Metropolitan Art Club on the 4/5/2012 at the Stilwerk, Vienna.
Atmospheric Cube 2009
‘Atmospheric Space’ 2009 Creating an atmospheric space allows one investigate the possibilities that space can have, on our psyche and the possibility of how they could influence our thoughts. These altered spaces provides one with a demonstrative area that sets
Atmospheric Cube 2009
‘Atmospheric Space’ 2009 Creating an atmospheric space allows one investigate the possibilities that space can have, on our psyche and the possibility of how they could influence our thoughts. These altered spaces provides one with a demonstrative area that sets