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Re-Inventing Vienna 2014
This project explores the make-up, politics and essence of the Viennese in this expanding, tolerant and modern European city. The city plays an innovative and leading role in supporting and exploring ways of living together in this rapidly changing society
Re-Inventing Vienna 2014
This project explores the make-up, politics and essence of the Viennese in this expanding, tolerant and modern European city. The city plays an innovative and leading role in supporting and exploring ways of living together in this rapidly changing society
Cement Sculpture 2004
Brief Description The project started with the concept of ‘time and movement in space’ dealing with circles and squares. From here I decided to use cement to express my ideas. This led me to acquire technical information on cement, initially
Cement Sculpture 2004
Brief Description The project started with the concept of ‘time and movement in space’ dealing with circles and squares. From here I decided to use cement to express my ideas. This led me to acquire technical information on cement, initially
Cosmic Similarities 2024
STATEMEN I allow the paint to reveal an unpredictable order, random patterns, and multiple processes that eventually emerge as unique imprints on the canvas. I purposely use unique utensils to apply the acrylic paint to the canvas that have a
Cosmic Similarities 2024
STATEMEN I allow the paint to reveal an unpredictable order, random patterns, and multiple processes that eventually emerge as unique imprints on the canvas. I purposely use unique utensils to apply the acrylic paint to the canvas that have a
Abstract Painting 2023
Statement 2023 Taking a lead from the US Abstract Expressionists of the 40s and 50s, my painting facilitates a detachment from intentions and expectations. I strive to create art that allows the paint to reveal an unpredictable order, random patterns,
Abstract Painting 2023
Statement 2023 Taking a lead from the US Abstract Expressionists of the 40s and 50s, my painting facilitates a detachment from intentions and expectations. I strive to create art that allows the paint to reveal an unpredictable order, random patterns,
Designing The Urban Commons 2015
ENTRY #440 HOME DETAILS JURY SUBMIT GALLERY EVENTS CONTACT SOCIAL MATERIAL BANK by JAMES P. KINSELLA If we re-look at public space or the commons from the view point of having multiple entry points and as being nomadic in nature then we
Designing The Urban Commons 2015
ENTRY #440 HOME DETAILS JURY SUBMIT GALLERY EVENTS CONTACT SOCIAL MATERIAL BANK by JAMES P. KINSELLA If we re-look at public space or the commons from the view point of having multiple entry points and as being nomadic in nature then we
Art Olympia 2015, International Open Art Competition
James P Kinsella, ‘Hofbauergasse’, 2013, 26.5cmx19.5cm, acrylic on canvas. Artist Statement: My painting/screen print ‘Homing Instincts’ investigates the complex concept of home – the geographical and psychological space we occupy and consider as our space, where we belong and
Art Olympia 2015, International Open Art Competition
James P Kinsella, ‘Hofbauergasse’, 2013, 26.5cmx19.5cm, acrylic on canvas. Artist Statement: My painting/screen print ‘Homing Instincts’ investigates the complex concept of home – the geographical and psychological space we occupy and consider as our space, where we belong and
Installation 2010
Elements of Exploitation Shortlisted for the National Art Competition (UK) 2010. This research began with an investigation as a visual artist, into the history of ‘Monto’ a notorious Red light district (in its prime in the 19th century) located in
Installation 2010
Elements of Exploitation Shortlisted for the National Art Competition (UK) 2010. This research began with an investigation as a visual artist, into the history of ‘Monto’ a notorious Red light district (in its prime in the 19th century) located in